There is a plot of sorts, but if you have read the book, you don't need me to rehash it, and if you haven't there is no point. This book may be autobiographical, or not, or maybe Hunter S. Thompson wants us to believe that it is, or not. I suppose somewhere, someone explains it all, but I am too lazy to look, and why ruin the vibe? For whatever reason, I always thought this book was written in the late 60's. About half way through I looked at the copyright date and saw it was published in 1971. This made a lot more sense.
The funniest parts for me were when they found the American Dream in Circus Circus. Having honeymooned in Vegas, and staying in Circus Circus, I can certainly see their point. Perhaps even more so, since by the time we got there Circus Circus was no longer as exciting and as depraved as Thompson describes. Looking back, the washed-up feeling seems to better suit today's American Dream. The other really funny part, comes when Thompson's character and his Samoan lawyer are crashing a police convention on the drug problems in the United States. Thompson's description of the convention lampoons brilliantly the persistent, conceptual, misunderstanding that the state always has of those on the outside of society. The presumptions that both sides bring to the table are always so far apart, neither side can ever understand the other. The divide becomes more apparent, when Thompson and his lawyer tell stories about the drug culture in California and what is being done about it, while masquerading as undercover cops, to cops from middle america. The stories are so outlandish and so obviously not true that no one could ever take them seriously, unless, the level of incomprehension is so high that the stories plug straight into the fear receptors of the listener's consciousness. If we haven't seen, in our own lives, such fear-mongering over drugs, terrorists, the dangers of a progressive tax-code, etc. and the horrendous outcomes, we would never be able to take Thompson seriously.
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